In 1971, the Convention for the Protection of Producers of Phonograms was established to safeguard music recording creators from unauthorized duplication of their work. Signatory nations are obligated to enact legislation that prohibits piracy and the importation of illicit music recordings. WIPO and UNESCO representatives collaborated on this treaty to address issues with the previous Rome Convention.
The Convention for the Protection of Producers of Phonograms, established in 1971, aims to safeguard phonourecord producers against piracy and the importation of pirated copies. This treaty mandates signatories to enforce copyright protection, unfair-competition law, or criminal penalties to deter unauthorized duplication of phonograms. For instance, if a music producer releases a new album, this treaty would shield them from unauthorized reproduction and sale of their album. Violators of this treaty may face legal repercussions.
The Convention for the Protection of Producers of Phonograms is an international treaty that aims to protect the rights of producers of phonograms, which are sound recordings, by granting them exclusive rights over the reproduction and distribution of their recordings.
The Convention applies to all producers of phonograms, regardless of their nationality or the country in which they are established. It also applies to performers and broadcasting organisations in certain cases.
The Convention grants producers of phonograms the exclusive right to authorize or prohibit the reproduction and distribution of their recordings. It also provides them with the right to receive equitable remuneration for the broadcasting or communication to the public of their phonograms.
The protection under the Convention generally lasts for 50 years from the end of the year in which the recording was first published or made available to the public. However, the duration may vary depending on the national legislation of each country.
Yes, producers of phonograms can transfer their rights to others through contracts or agreements. They can assign or license their rights to third parties, allowing them to reproduce, distribute, or communicate their recordings.
If someone infringes the rights of a producer of phonograms, the producer can take legal action to seek remedies. This may include seeking damages, injunctions to stop the infringing activities, or the seizure and destruction of infringing copies.
Yes, the Convention allows for certain exceptions and limitations to the rights of producers of phonograms. These may include private copying for personal use, use for educational or scientific purposes, or use in news reporting.
Producers of phonograms must obtain the necessary licenses or permissions to use copyrighted works in their recordings. They should ensure that they have the right to reproduce and distribute any copyrighted music or other content included in their phonograms.
Producers of phonograms can enforce their rights internationally through various means, including filing lawsuits in the courts of the countries where the infringement occurs. They can also seek assistance from international organisations, such as the World Intellectual Property Organization (WIPO).
The Convention sets minimum standards for the protection of producers of phonograms, and each country is free to implement these standards through its national legislation. National laws may provide additional rights or impose additional obligations on producers of phonograms, as long as they comply with the minimum requirements of the Convention.
This site contains general legal information but does not constitute professional legal advice for your particular situation. Persuing this glossary does not create an attorney-client or legal adviser relationship. If you have specific questions, please consult a qualified attorney licensed in your jurisdiction.
This glossary post was last updated: 17th April 2024.
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