Diritti connessi, also referred to as neighbouring rights, encompass a range of legal entitlements bestowed upon performers, producers, and broadcasters for their contributions to artistic endeavors. These entitlements empower them to regulate the utilization and dissemination of their performances, recordings, and broadcasts, as well as to receive remuneration for their efforts. Neighboring rights bear resemblance to copyright, albeit pertaining to distinct facets of creative works and being conferred upon distinct entities.
Neighboring rights, also known as Diritto connessi in Italian, pertain to the rights of performers, producers, and broadcasters to govern the utilization of their creations. Unlike copyright, these rights are applicable to the individuals responsible for the creation and distribution of the work rather than the work itself. For instance, a musician possesses the authority to regulate the usage of their performance in a recording, while a film producer has the power to control the utilization of their movie. Similarly, a broadcaster has the right to govern the usage of their television or radio program. These instances exemplify how diritto connessi empowers performers, producers, and broadcasters to dictate the manner in which their work is employed. Without these rights, anyone could exploit their work without obtaining permission or providing compensation.
Diritto Connessi are the rights related to copyright, such as the rights of performers, producers of phonograms, and broadcasting organisations.
Performers, producers of phonograms, and broadcasting organisations are entitled to Diritto Connessi.
Performers have the right to control the use of their performances, including the right to authorize or prohibit the recording, broadcasting, and distribution of their performances.
Producers of phonograms have the right to control the use of their phonograms, including the right to authorize or prohibit the reproduction, distribution, and rental of their phonograms.
Broadcasting organisations have the right to control the use of their broadcasts, including the right to authorize or prohibit the retransmission and recording of their broadcasts.
The duration of Diritto Connessi varies depending on the country and the type of right. In general, performers’ rights last for 50 years from the end of the year in which the performance took place, while producers’ rights and broadcasting organisations’ rights last for 50 years from the end of the year in which the phonogram was first published or the broadcast was first made.
Yes, Diritto Connessi can be transferred or licensed to other parties, such as record labels, broadcasters, or streaming services.
Copyright protects the rights of authors of literary and artistic works, while Diritto Connessi protect the rights of performers, producers of phonograms, and broadcasting organisations.
Collective management organisations (CMOs) are responsible for collecting and distributing royalties on behalf of performers, producers of phonograms, and broadcasting organisations. They also negotiate licenses and agreements with users of Diritto Connessi.
If someone infringes on Diritto Connessi, the rights holder can take legal action to stop the infringement and seek damages. In some cases, criminal penalties may also apply.
This site contains general legal information but does not constitute professional legal advice for your particular situation. Persuing this glossary does not create an attorney-client or legal adviser relationship. If you have specific questions, please consult a qualified attorney licensed in your jurisdiction.
This glossary post was last updated: 16th April 2024.
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