The Rome Convention on Related Rights, established in 1961, aims to establish basic standards for the rights of performers, producers, and broadcasters. These rights, known as neighbouring rights, were not previously safeguarded by copyright conventions. Although the United States did not ratify this treaty, neighbouring rights are now protected under TRIPs. The protection of neighbouring rights is crucial in safeguarding the creative works of performers, producers, and broadcasters.
The Rome Convention on Related Rights, established in 1961, aims to establish minimum standards for neighbouring rights of performers, producers, and broadcasters. These rights, which were not protected under the Paris Convention or the Berne Convention, are now included in copyright protection under TRIPs. Neighboring rights refer to the control and compensation that performers, producers, and broadcasters have over the use of their work. For instance, musicians have the right to control the use of their music and receive payment when it is played on the radio or used in a movie. The Rome Convention ensures that artists are fairly compensated and have authority over how their work is utilised. For example, radio stations must obtain permission from the artist or their representative and pay a fee to play their songs. Similarly, television networks must seek permission from performers and pay a fee to broadcast their live performances. These measures protect the rights of performers and guarantee that they are appropriately rewarded for their work.
The Rome Convention on Related Rights is an international treaty that provides protection for performers, producers of phonograms, and broadcasting organisations by granting them certain exclusive rights over their performances, recordings, and broadcasts.
The Rome Convention on Related Rights was adopted on October 26, 1961.
As of now, there are 95 countries that are parties to the Rome Convention on Related Rights, including most European countries and several others worldwide.
The Rome Convention grants performers the exclusive right to authorize the fixation of their live performances, the reproduction of their fixed performances, and the broadcasting or communication to the public of their performances.
The Rome Convention grants producers of phonograms the exclusive right to authorize the reproduction of their phonograms and the distribution of copies of their phonograms to the public.
The Rome Convention grants broadcasting organisations the exclusive right to authorize the fixation of their broadcasts, the reproduction of their fixed broadcasts, and the rebroadcasting or communication to the public of their broadcasts.
The protection under the Rome Convention on Related Rights lasts for 50 years from the end of the year in which the performance, phonogram, or broadcast took place.
Yes, performers, producers of phonograms, and broadcasting organisations can transfer their rights under the Rome Convention through contracts or agreements.
The Rome Convention provides for various remedies, including injunctions, damages, and account of profits, to be available to the rights holders in case of infringement.
The Rome Convention on Related Rights is an independent treaty, but it complements other international treaties such as the Berne Convention for the Protection of Literary and Artistic Works and the WIPO Copyright Treaty, which primarily focus on copyright protection.
This site contains general legal information but does not constitute professional legal advice for your particular situation. Persuing this glossary does not create an attorney-client or legal adviser relationship. If you have specific questions, please consult a qualified attorney licensed in your jurisdiction.
This glossary post was last updated: 17th April 2024.
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